30 290 безкоштовних аудіофайлів для "Audio Files Of Music By The United States Marine Drum And Bugle Corps"

Recording of music written by Frederic Chopin

Frédéric Chopin - Scherzo no. 3 in C-sharp minor, op. 39 (Martha Argerich, 1962)

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording is an instrumental version of Das Lied der Deutschen by Haydn, performed by the US Navy Band. Lyrics are of Stand, Columbia, the alma mater of Columbia University.

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Edison Gold Moulded Record #9984. Performed by Edward Meeker. I'm a Yiddish Cowboy (pol. Jestem żydowskim kowbojem) – typowa piosenka charakterystyczna dla twórców i wydawców z Tin Pan Alley nagrana w 1908 roku przez Edwarda Meekera dla Edison Records. Čeština: I'm a Yiddish Cowboy (Jsem židovský kovboj) je typická nahrávka sdružení hudebních nakladatelství Tin Pan Alley z roku 1908 zpěváka Edwarda Meekera. Македонски: Јас сум еврејски каубоец — песна во изведба на Едвард Микер снимена во 1908 г. I'm a Yiddish Cowboy (рус. Я еврейский ковбой) — песня в исполнении Эдварда Микера, записанная в 1908 году на студии Edison Records. Типичный образец популярной музыки, создаваемой на Tin Pan Alley.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. No equalization performed here on the recording produced from a TASCAM DR-100MKIII using its internal electret condensor microphones.

A song from The Remains of Tom Lehrer

Song from The Remains of Tom Lehrer

Mozart, Don Giovanni dances from act 1, scene 5

Land of Hope and Glory, sung by Clara Butt

Hammerklavier fugue subject, retrograde version, last four bars

Hammerklavier fugue subject, first four bars

Piano Concerto 21, K467, slow movement, bars 83-93

Johann Pachelbel: Fugue on the Magnificat Primi Toni, No. 1 performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Domenico Scarlatti: Sonata K10 performed by David Joseph Stith on a Flemish harpsichord built by Gerald Self in 2020.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Basse de Cromorne, de la suite pour orgue en ré majeur.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

sound sample of Tchaikovksy's Francesca da Rimini

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Phleng Chat Thai (Fine Art Department Orchestra) - Rabbit Gramophone record N.123 ไทย: เพลงชาติไทย ขับร้องโดย ศิลปินของกรมศิลปากร บรรเลงโดย ดนตรีสากลของกรมศิลปากร แผ่นเสียงต้นฉบับของกรมโฆษณาการ (ปัจจุบันคือกรมประชาสัมพันธ์ สำนักนายกรัฐมนตรี) แผ่นครั่ง ความเร็วต่อรอบ 78 rpm บันทึกเสียงโดยห้าง ต.เง็กชวน ห้างแผ่นเสียงตรากระต่าย

Under the Pyramids, H.P. Lovecraft "It occurred to me that judging from the elaborateness of this worship, the concealed deity must be one of considerable importance. Was it Osiris or Isis, Horus or Anubis, or some vast unknown God of the Dead still more central and supreme?"

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Enosis, Christopher Pearce Cranch "We are spirits clad in veils: Man by man was never seen: All our deep communing fails To remove the shadowy screen."

A Bull of Heaven musical piece.

Masnavi, Jalal al-Din Muhammad Rumi "We all are lions, but lions on a banner: because of the wind they are rushing onward from moment to moment. Their onward rush is visible, and the wind is unseen: may that which is unseen not fail from us!"

A Bull of Heaven musical piece.

Tao Te Ching, Lao-tzu (S. Mitchell translation) Chapter 55 "He who is in harmony with the Tao is like a newborn child. Its bones are soft, its muscles are weak, but its grip is powerful."

To One In Paradise, Edgar Allen Poe "And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams-- In what ethereal dances, By what eternal streams!"

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

A Bull of Heaven musical piece.

Henry V, William Shakespeare Act III, scene vi "HENRY: I tell thee, herald, I thought upon one pair of English legs Did march three Frenchmen."

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.